the two sides of a writer
The author of genius does keep till his last breath the spontaneity, the ready sensitivity, of a child, the "innocence of eye", that means so much to the painter, the ability to respond freshly and quickly to new scenes, and to old scenes as though they were new; to see traits and characteristics as though each were new-minted from the hand of God instead of sorting them quickly into dusty categories and pigeonholing them without wonder or surprise; to feel situations so immediately and keenly that the word "trite" has hardly any meaning for him; and always to see "the correspondences between things" of which Aristotle spoke two thousand years ago. This freshness of response is vital to the author's talent.
But there is another element to his character, fully as important to his success. It is adult, discriminating, temperate, and just. It is the side of the artisan, the workman and the critic rather than the artist. It must work continually with and through the emotional and childlike side, or we have no work of art. If either element of the artist's character gets too far out of hand the result will be bad work, or no work at all. The writer's first task is to get these two elements of his nature into balance, to combine their aspects into one integrated character. And the first step toward that happy result is to split them apart for consideration and training!
(pp. 38-9)
irene bom ~ songwriter © 2022